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Gretchen Snedeker
1983 - 2008

Eulogy for Gretchen by Rev. Dr. Lowell Greer

On behalf of myself and everyone at NYSMF, I am very sad to report the passing of Gretchen Snedeker, a member of our faculty.

On Thursday, April 10, 2008, Gretchen was driving in Oneida, NY when her car was apparently hit head-on by an alleged wrong-way driver around 2 pm. Both drivers were wearing seatbelts. Gretchen did not make it.

I learned the news today (Friday, April 11, 2008) from Ilze Brink-Button, another of our horn faculty, and reluctantly researched and read details of the tragedy on MSNBC.

 

I knew her only briefly as an outstanding young horn player, with more credits, degrees, and accomplishments than anyone her age could reasonably expect to have had!

Gretchen was only 24 years old, but had already completed her Master of Music requirements; was joining orchestra after orchestra; seemed to be gigging every other day, in between teaching horn to her students all around the Syracuse to Rochester area of New York. Apparantly, she was on her way to give a horn lesson when the accident occurred.

 

She was a charter member of NYSMF in 2006, joining us as an original faculty member, and returned for another great summer in 2007.

Gretchen was supposed to play Greater Rochester Women's Philharmonic Orchestra in their April 27 concert.They will dedicate that performance to her and leave her chair empty with a rose on it. If any of you can make that concert, please do so and remember a fine young musician and a good friend.

Gretchen rehearses with the NYSMF Chamber Orchestra, June 2006

Gretchen and had I emailed each other just last month, when she updated me on all the exciting things she had accomplished since the summer, telling me:

"I'll be completing my MM at Eastman in May;

"I've been running the Natural Horn Studies Program at Eastman and will continue to do so in the Fall;

"I'm continuing to appear with the Buffalo Phil sporadically throughout the year, AND...

"I'm getting married!"

I later learned that she and her fiancee, Adam Smith, a tuba performer at Eastman, were scheduled to wed in exactly one year - April 11, 2009.

On her Facebook page, Gretchen's final status from April 9 reads: "Gretchen is grateful for people who listen." With these last words we will hear from her, I personally will remember and honor her memory by striving to be a better listener to everyone in my life.

Farewell to Gretchen Snedeker, and may those who knew her remember her as fondly as all of us at NYSMF do.

-Keisuke Hoashi
NYSMF Director of Communications

 
  Gretchen performs with the NYSMF Massive Brass Ensemble, August 2007

April 30, 2008: Thanks to Mr. Snedeker, I have been given permission to post her lovely eulogy by the Reverend Dr. Lowell Greer.

At the moment when one first learns of the passing of a well loved colleague, all previous skills of rhetoric evaporate, as well as any extensive vocabulary being forgotten, and one is, like a child attempting for the first time to express a complex thought, left sputtering phrases that fall well short of the mark required for any adequate conveyance of one's grief.

Often, it is in this moment that humans look to the Divine for comfort and reassurance, for the meaning of life, and for a validation of our short time on earth. There certainly is no philosophical framework that can totally remedy, or even assuage, the emotional pain of this deep of a tragedy.

For this reason, Mass intentions for the repose of the soul of Gretchen Snedecker were offered at the Divine Liturgy celebrated at the Vistula Old Catholic Orthodox Chapel in Toledo, Ohio, this evening, Saturday, April 12th.

For those with no affinity for spiritual things, this might seem insignificant, but within the framework of Apostolic worship, it is considered a fine and beneficial thing to petition God for His mercy and comforting presence, both for the departed and for those they have left behind. In one of our prayers we find, "May she find a place of comfort and refreshment among thy saints, eternally in thy presence, O Lord, according to Thy perfect mercy, where she might offer to Thee fitting praise forever. Amen."

Gretchen was certainly one of the most remarkable young women ever connected to the world of horn playing; had I been asked, I would have replied that outstanding success in her future was something that could be regarded as a certainty. We can recall the discipline of her study and the inspiring results of her work, as well as her humility and conviviality we all enjoyed. Her antics in Horn Camp skits were executed with equal enthusiasm to her participation in the world class rendering of the Konzertstucke of Schumann we heard.

A young woman of rare and classic beauty, her gracious demeanor and social poise were qualities so striking, that they often made one forget how very lovely she was physically; an example of the inner merits dominating the outer. The same was true of her playing, when her stage presence was subsumed by her compelling execution and interpretation. I never heard one hint of a detractor aimed at her, every comment being praise, so universally and highly was she regarded.

In the modern stress-filled world in which we live, filled with every injustice, illness, blight, and imbalance, the musical arts, and horn playing in particular, offer the listener an alternative sonic universe, a world in which the listener is offered dissonances that resolve to consonances, phrases balanced by other phrases, and orchestrations that induce serenity, allowing a blessed respite from our anxieties, however brief.

The horn, with its conical acoustical shape, resonates within our similarly conically formed inner ear (cochlea), in a way no other musical sound of instrument or voice can equal, letting the horn player speak not only to the heart, but directly to the soul, it seems. It was in her participation within this singular artistic phenomenon where Gretchen Snedecker functioned so brilliantly; it was her daily gift to her fellow man and fellow woman, a sacrifice of sonic love which she gladly made.

While one may reasonably regret her not having lived long enough to receive the professional fame she had already merited, it is worth pondering the excellence of the opportunities she had already enjoyed early in her years, the successful and often intuitive ways in which she met every requirement of those challenges, and the high level of respect accorded her by her colleagues, including the most revered of international figures of the field.

Her years were tragically short, but filled with a lifetime of success, accolades, and treasured friendships. She will be missed and will not be forgotten, for she touched us all, and I propose that, if possible, an archival CD of some sort, featuring her art might make an appearance, enshrining her work into perpetuity within the horn playing community, and assuring us that she might, even in death, continue to inspire other players through her stellar artistic and personal examples.

Requiescat in pacem.

Rev Dr Lowell Greer

 

 
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